![]() #VIRTUAL FAMILIES 3 TIPS AND TRICKS HOW TO#Recruiting people into your faction will be almost impossible.īut don’t fret, you can still get a taste of the real thing, you just need to know how to pick the right settings. Bandits and enemy lords will come after you more often. And if veterans have a hard time playing realistic, then you can imagine just how discouraged new players will feel when things start to get sour in the game. Playing in realistic difficulty might sound interesting, but the truth is that it is very hard to play, even for veterans of the game. Preschool and elementary school are not too early to begin building that skill.This is the first and very likely the most important tip on this list. Younger students will often respond with something “completely off the wall” but that doesn’t matter because “what it does is begin to get them in the habit of, ‘oh, I’m expected to give evidence for my answers.’”Īnd that expectation will get them started on the path to looking for the right evidence when they are trying to determine if an online source or statement is credible. It only takes one extra question to begin imparting a key skill kids will need on and offline, something along the lines of “can you tell me why you think that?’ or “how do you know?” Rogow said. Most preschool and early elementary school teachers ask predictive questions before they read a book aloud in class, often by sharing the cover and asking kids to guess what the story is going to be about. For instance, when the class is walking down the hall, or in the neighborhood surrounding the school, point out a flyer and ask: “I wonder who made that?” It’s never too early to help children start thinking about the fact that there’s a person-with a viewpoint-behind every piece of print or online content they see. You don’t need digital tools to begin teaching digital literacy “If someone says something to them that makes them upset or uncomfortable, they need to know that they have adults they can come to talk to about that.”ģ. If kids find themselves in an unfamiliar or strange-looking corner of the internet, they should tell a parent or teacher.Ĭhildren need to hear that “some people don’t have their best interests at heart,” said Faith Rogow, an independent scholar and author of Media Literacy for Young Children: Teaching Beyond the Screen Time Debates, published this year. ![]() That means no sharing information-not even a favorite color-and definitely no giving out passwords. They have to be careful in the digital world, just like they are in the real one. Safety should be part of the conversation, but it doesn’t have to be scaryĬhildren should understand that there’s usually a real person behind the chat messages and avatars they see in online spaces. So you have to practice what you preach.Ģ. Students are watching how teachers and parents handle tech balance. ![]() ![]() The best thing adults can do? Put down their own phone. ![]() And teachers and parents can literally show them how to do that by simulating it. Is their brain fuzzy? Does their head hurt? What about their eyes? Are they more antsy than usual?Įducators can also explain that if a parent, teacher, or friend wants to talk to them while they’re doing something online, they should pause, turn away from the device, and toward the real-life person. And they can help students reflect on how they feel physically after a lot of time online. Teachers can ask youngsters to talk about something they missed because they were too engrossed in their device. Help young children understand that if they spend hours playing digital games or looking at videos online, they’ll lose out on fun things happening in the real world. Talk to kids about the impact of too much screen time Here are three tips for teaching children in preschool and elementary school how to responsibly navigate digital spaces:ġ. ![]()
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The black enhances the works’ contrast of raw and highly finished. ![]() The show consists of seven tall sculptures in a room painted black - a grove of dolmens as it were, happened upon at night. The works from her “Chimes at Midnight” series, which form her sensational show in Chelsea, deftly layer references to Richard Serra’s rusted hot-rolled steel, John Chamberlain’s crumpled car bodies and Donald Judd’s perfectionism as well as his signature color, cadmium red light, to name just the most obvious. WILL HEINRICHĬarol Bove continues to mess with the mostly male history of postwar sculpture. Comic but insightful, they’re like psychological portraits of Mackler’s own passing fancies. A supine mermaid lifts her tail in an aquatic yoga pose a jaunty little rooster boy, perched on a speckled rock, leans down and extends his wings as if finishing a magic trick. And of course there are several of the gestural, improvised characters she’s become known for. Half-open boxes with faces on every surface, they’re like little theaters of emotional turmoil. There are two slender figures, one with his arm outstretched, that bring to mind Giacometti, and two exceedingly strange ceramic dioramas. The work in her latest outing with the gallery, nine sculptures accompanied by three small paintings, is her largest and most confident yet. There she also met the artist Joanne Greenbaum, who put her in a group show at James Fuentes Gallery and introduced her to Kerry Schuss, the gallerist who gave her a long-overdue New York solo debut in 2013. In 1998, the year she retired, Mackler began making ceramics at Greenwich House Pottery, in the Village. She mainly depicted the female form, drawing it with big, wiry loops surrounded by coronas of bright color. 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